Tag Archives: Flowers

A Book of Flowers

For the last four weeks, I have been attending one of the Informal Classes at the University of Texas in the evenings. The course is titled “Publishing Your Photography”, and the instructor is Brian Loflin. Brian is also the president of the Austin Shutterbug Club that I have been a member of for over 5 years now. Brian has been a great teaching influence on me, as I have taken at least 5 or 6 of his classes over the years. Here is a link to Brian’s blog.

This Wednesday evening is our last class of this course. Our exercise for this last class is to create a book of our images, using the free BookSmart software that we downloaded from Blurb.com.

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For last week’s assignment to the class, we had to write a proposal for our book. Here’s what I submitted:

Proposal for a Blurb Photo Book, by Gregg Mack.

October 8, 2012

For our assignment for the class “Publishing Your Photography”, I propose to put together and publish a small coffee table style of photo book. This book would contain 20 photo of close-up photos of plants and flowers that I encountered during my frequent walks around my neighborhood, during the summer of 2012.

My intent would be to have approximately 35 to 40 of the books printed, where my wife and I would hand them out as Christmas presents to our family and close friends. I may even use a few of them as promotional material for my future photography business.

The book would be mostly photos, with minimal captions. This is not a scientific study of plants, and so the captions will be more of what thoughts I may have been thinking, or what photographic technique that I was attempting to use, when I took the photo. No attempt will be made to accurately identify the plant or flower.

Now to be honest, I am not certain that I will follow-through with what I stated as my intent in the 2nd paragraph. I usually produce a calendar that contains images with an Austin theme. But I had to come up with something for my class assignment. 🙂

All of the photos contained in this blog post have been shown in some of my previous blog posts. I am including them again here, simply because they are the photos that I have selected to put into my Blurb book.

All of the photos in this blog post were taken by me, with my Olympus OM-D E-M5 camera. All of these photos were taken as I walked around my neighborhood, and I did not bring a tripod with me on these walks. For the photos above, I used the 45mm f/1.8 lens, and I tried to keep the aperture open to create a shallow depth of field. The smallest aperture that I used in the above photos was the one with the two cacti in it; and the aperture was f/3.2. All of the other 6 photos used f/1.8 to f/2.8, and yes that does blur the objects in the background quite nicely.

All of the remaining photos were taken while using the 12-50mm f/3.5 – 6.3 lens. The aperture on that lens is capable of opening up to f/3.5, but the widest aperture that I used on all of these next photos was f/6.0; and that is what I used for these very next two photos.

As you can see, even a lens aperture of f/6.0 can result in a very shallow depth of field, when the object is fairly close to the lens.

I do not know what the plant above is named, so I just refer to them as Dr. Seuss Plants.

This next plant is called the Pride of Barbados, and they seem to grow exceptionally well here in the central Texas climate.

Now I am not a botanist, or even all that interested in studying plants. As I result, I really do not know what variety of plants that are shown in the majority of these photos.

I do know that the following yellow flower is from a Prickly Pear Cactus that was just blooming here in mid-August.

I think this next cactus is a Barrel Cactus, but I should probably ask my instructor, Brian Loflin, as he and his wife Shirley have published a book on Texas Cacti.

For this next little purple flower, I changed my position so that the white limestone landscaping brick was in the background.

Here’s a nice red one, with a few strands of a spider web attached to it.

I don’t know what these massive yellow flowering bushes are, but they are still in full bloom 2 months later in mid-October.

The blue color in the background of this next photo is a neighbor’s swimming pool. Our neighborhood is rather hilly, so I was able to see over their 7 foot high fence, while I was standing on the sidewalk! (There is only a 4 or 5 foot area where that is possible.)

These next little white flowers were hard to capture, as they were swaying freely in the gentle breeze. Even my shutter speed of 1/320 of a second didn’t quite eliminate all of the motion blur.

I’m pretty sure that these next red flowers are from an Oleander bush. They are popular landscaping plants here, as the deer will not eat them.

And finally back to the Dr. Seuss plants right outside of our front door.

I’ve got all of these photos gathered up and put into a folder on the desktop of my laptop, and ready to take to my class this Wednesday evening. If the book turns out nice, I may actually order a  few.

If you have actually read all the way down to here, then I simply want to thank you for stopping by and looking at my photos!

Macro Photography of My Neighbor’s Flowers

Last Saturday morning, August 18, 2012, before I had finished typing in my way-too-long part 3 post about my first photo walk in downtown Austin, I went out and took some more photos. I went for my usual Saturday morning walk around my neighborhood, and brought my Olympus OM-D E-M5 camera with me.

The weatherman was predicting “a very good chance for rain showers”, and when they say anything that bold in Austin in August, you will take notice, as we rarely get any worthwhile rain in Austin during the month of August. There were a thin veil of clouds, but they didn’t look like rain clouds yet, so I put on my weatherproof 12-50mm f/3.5-6.3 lens with circular polarizer, and headed out about 9:15 AM.

The photo above, and the photo directly below are of some strange (to me), yet beautiful flowered plants that are in the front shrub bed right outside of our front door.

I put on the circular polarizer mainly to cut down on glare, if it did happen to shower. It would also decrease the amount of light coming through the lens, so it would force me to use a more wide open aperture. This 12-50mm lens doesn’t have a very wide open aperture, and you will never hear or read about anyone praising the “beautiful bokeh” that this lens can produce. (Bokeh is the “blurriness” of the out-of-focus areas behind the main subject in the photo.)

I got more than I bargained for. The first 3 photos that I’ve already shown had a shutter speed of 1/60 of a second or slower. It was also somewhat windy. Flowers wagging in the wind and slow shutter speeds don’t work together to make sharp photos. When I put the lens into macro mode to photograph a flower moving around, I always took at least 3 photos, and would later decide which one of the three was the sharpest when I was post processing them on my computer. Some of the flowers at the end of this post I took 6 or 7 photos – hoping to get one good one out of the bunch.

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Now when I left the house, I had the intention of shooting anything with a pattern or color that would catch my intention. I did take several photos of the usual neighborhood stuff: cars, a U-Haul trailer, yard decorations, playground equipment, street signs, fire hydrants, trees, cactus, and of course, flowers.

It wasn’t until I post processed the RAW files on my computer this evening that I realized just how many macro photos that I had taken of flowers, and I decided to put together this post where all of the photos are macro photos of flowers.

The 12-50mm f/3.5-6.3 lens is very easy to put into the macro mode, but when you do, the focal length is fixed at 43mm, which is equivalent to 86mm on a full-frame camera. Every photo in this post was taken with the lens in macro mode, and the largest aperture opening in ANY of these photos is f/6.0. The aperture of this next photo was f/8.0.

When shooting macro photography, and focusing on very close objects, there isn’t much depth of field in the photograph. To attempt to get the maximum amount of front-to-back in focus, the photographer will use a small aperture (high f-stop number). That causes the shutter to stay open longer to get an equivalent exposure. That’s not a problem if the camera is on a tripod.

The photo above is the blossom on a prickly-pear cactus.

Now, I was not set-up to do it “correctly”.  I was handholding my camera, as I didn’t bring a tripod on this walk. I couldn’t keep the shutter open very long without causing motion blur in the photo. Besides, the flowers were swaying around in the wind, and that alone doesn’t allow for slow shutter speeds. Faster shutter speeds make the aperture open up wider, and this lens doesn’t open up wide.

Also, I had put on a circular polarizer onto the front of my lens. That cuts down the amount of light coming into the lens by about 1 and 1/3 stops, which again makes the shutter to stay open longer and/or the aperture to be opened up wider.

So, I pretty much had a “dark” lens opened up about as wide as its aperture could open, the shutter speed was still pretty slow (for most of these photos), I was hand-holding the camera, and the flowers were wagging around in the wind.

The photo above was taken when I was on a sidewalk on a high ledge and I could see over the wooden fence around someone’s yard. The blue behind the flower in that photo is their swimming pool.

What I did have working in my favor is the excellent in-body image stabilization of this Olympus camera. In addition, the size of the sensor is much smaller than a full-frame camera, so at the same aperture settings, this little camera will produce a deeper depth-of-field than a full-frame camera such as my Canon 5D Mark II.

It never did rain on me. I never even felt a sprinkle. But less than an hour after I got back to our house, it did start to rain. We got a little more than 0.75” (2cm) in about 2 hours. It rained again that night, as we had a total of 1.25” in less than 12 hours. Very unusual, and very welcome. I’m sure that all of these flowers enjoyed every single drop that came their way!

My First Photo Walk in Downtown Austin – Part 3

This is the 3rd and final portion of my story of my first time to visit downtown Austin, with my camera, with the intention of simply walking around and taking photos of whatever seemed to catch my eye.  I had no agenda, no time requirement, and no plan.

I was walking with my Olympus OM-D E-M5 camera, my four lenses, and a flash in my little Domke camera bag, but I had left my small Gitzo GT1542T Traveller tripod back at the car. In parts 1 and 2, I had used the Olympus 12-50mm f/3.5-6.3 zoom lens with a circular polarizer.

You can find Part 1 here, and you can find Part 2 here.

At the end of Part 2, I was on Lamar Blvd. at Whole Foods Market and I had just sat down to change my lens.

Here is the map for the route back to my car at Willie Nelson Blvd. (East 2nd Street) and San Jacinto near the Austin Convention Center.

I had 12mm, 25mm, and 45mm prime lenses in my bag (24mm, 50mm, and 90mm equivalents on a full-frame camera). Based upon my experiences over the previous 75 minutes, I thought the 12mm would be too wide-angle for the majority of the shots. I also knew that I would be walking towards the east, into the morning sun, and I was probably going to encounter lots of backlit subjects. I thought that I would not be shooting as many buildings, but rather architectural features (portions) of buildings and try not to include the sky in the frame, so I opted for the Olympus 45mm f/1.8 lens.

Here is the top of the 41-story Spring Condos , which was 2 and a half blocks away.

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At the corner of Lamar Blvd. and West 5th, sits this old Chevrolet farm truck and the Whole Foods Market signage. I had backed up as far as I could without going over the curb and into this very busy intersection.

I would have liked to include more of the truck and its surroundings, but I was not going to risk going out into the traffic, and this 45mm lens does not zoom.

A block east of Lamar, on the south side of 5th Street is the 29-story Monarch Apartments.

I exposed for the building, and let the sky overexpose, which I somewhat corrected later when I postprocessed the RAW file in Lightroom (using the Adjustment Brush with -0.66 Exposure and +50 Saturation on the sky).

I walked about a half block before coming up on this sheltered bus stop. I set my little Domke camera bag on the bench, next to an empty Coke bottle (where in the heck to you even buy Coke in a bottle anymore? – I assumed Whole Foods Market). My intention was to get a photo of the artwork on the wall that also had some “lovely” graffiti on it.

Once again, I couldn’t seem to get everything into the frame, and I really didn’t want to back into the busy street traffic. I never could get any angle that would have the reflection go away from the front of the artwork.

I decided right then and there that the 45mm lens wasn’t helping me to get the photos that I wanted to get. It was simply too much telephoto for me right now. I changed to the Panasonic Leica 25mm f/1.4 lens, and then went back to the exact same spot where I had taken the photo of the Monarch Apartments with the 45mm lens, and took this photo.

It definitely included much more into the frame. I wasn’t certain that I liked this better yet or not, but I was going to work with it for a while.

Here’s a photo of the back side of the Whole Foods Market headquarters office building.

Moving east on West 5th Street, just before the bridge over Shoal Creek, these wildflowers were growing where the street crews had not mowed. I set the aperture to f/1.8, which was almost as open as this lens can get, just to see how the shallow depth-of-field would look.

Just past West Ave, this “Old and New” caught my eye.

That is the 360 Building, located between 3rd and 4th Streets, towering over the old-style building on 5th Street.

Walking past Rio Grande and Nueces, and looking back over my right shoulder I saw this interesting view of the 360 Building.

In the next block, across from the U.S. Post Office, in the Republic Square Park, the Farmers Market that I told about in Part 1 of this too-long story was in full swing, and it appeared that they had a very good turn-out of customers. It looked like it would be more difficult to photograph now than when I had walked through there just 50 minutes ago. Note to self: get there when they open at 9:00 AM for the best light, and the fewest people.

Nearing Guadalupe Street, I came upon this view of the Frost Bank Tower, that seemed to have the reflection of another building in it, near its base.

Also note the lack of people on the sidewalks. This had pretty much been the case my entire walk, except in the Farmers Market and near the front of Whole Foods Market. I never really encountered any people at all. Maybe this town parties late into the night, and doesn’t get out and about until noon on the next day?

At the corner of 5th and Guadalupe, this caught my eye. I’m not sure why, but for some reason I like this photo.

Lavaca is the name of the next street after Guadalupe, and that building occupied the entire block along 5th Street.

Before coming to Lavaca, looking across 5th Street, I thought this view of the 56-story Austonian towering over Rebels Honky Tonk might make a nice “old and new” photo.

On the southeast corner of West 5th Street and Lavaca sits Antone’s, which is a famous blues club here in Austin.

Here’s a view of The Austonian from Colorado and 5th Street.

I was approaching Congress Avenue, and the Frost Bank Tower sits between 4th and 5th Streets on the west side of Congress Avenue.

The sun was shining on the other side of the building, so I thought that I would walk over there and see how it would look from that side. To get there, I had to cross Congress Avenue. Half way across, I stopped for just a couple of seconds and took this snapshot of the Texas State Capitol Building, which was 7 blocks north of me. (Remember that I had the 25 mm lens on.)

On the southeast corner of 5th and Congress, at the base of the Frost Bank Tower is the Mexic-Arte Museum.

Along 5th Street, they have this painted on the side of their building.

Just a little bit east of that painting, was this “til death do us part”.

With all of the white wall in the scene, I did add +2/3 stop of exposure compensation to the exposure. The electronic view finder on the mirrorless Olympus camera makes it very easy to “pre-chimp” a settings change like that. I’m still not sure what to think about lipstick on a skull…

Looking up, here’s a view of the northeast corner of the Frost Bank Tower. It looked much better on the sunny side of the building.

Another half block east on 5th Street, between Brazos Street and San Jacinto Blvd, I walked into the Bank of America parking lot, very near the drive-through tellers, and took this photo (also shown as the first photo in this posting).

That’s the 56-story Austonian on the left. It is 683 feet (208 m) tall, and is located on the other side (west) of Congress Avenue, and north of Willie Nelson Blvd (2nd Street). In comparison, the Frost Bank Tower 515 feet (157 m) tall with 33 floors.

OK, so I had satisfied my curiosity of what the Frost Bank Tower would look like on the sunny side, so it was time to head south of San Jacinto Blvd, and back to the CR-V.

Just north of 4th Street, I passed by this threaded stud protruding out of a brick wall. After 10 steps or so, I stopped, turned around, and went back to it.

Just to make it somewhat interesting, I opened the aperture all the way to f/1.4 to get the shallowest depth of field that I could with this lens.

At 4th Street, I looked to the southeast, and took this photo. I’m not sure if they are businesses or residences.

There is a new building being constructed on the east side of San Jacinto Blvd, between 3rd and 4th Streets. I do not know what the building will be when it is finished.

Looking back over my right shoulder, this caught my eye.

Just a bit more south along San Jacinto Blvd, I snapped this “two in one” kind of photo (left and right).

At the corner of 3rd Street and San Jacinto Blvd, I stopped next to a group of construction workers who decided that they needed to all stop talking and watch me. I figured I had better do something to justify carrying this camera and camera bag, so I simply looked up, snapped this photo, and proceeded to walk away from them.

On the south side of 3rd street, I thought this looked kind of cool, with the base of the crane in front of The Austonian.

Half way between 3rd and 2nd Streets, on the east side of San Jacinto Blvd. was this big succulent plant with some pretty flowers beneath it. Even though it was all in direct sunlight, which is usually the worst light for flowers, I thought I’d at least try to see if I could get a decent photo of it.

These flowers were in the parking lot on the north side of P.F. Chang’s restaurant.

The Honda CR-V was parked around the opposite side of P. F. Chang’s on Willie Nelson Blvd (2ns Street).  But before I went to the car, I took this final “architectural” shot looking east on Willie Nelson Blvd, just so I could later compare the differences in the lighting from when I had started my walk 2 hours and 15 minutes earlier.

And finall, my trusty Honda CR-V.

So what did I learn from my first experience of a downtown photo walk?

1. That walking towards buildings, with the sun to your back yields a higher percentage of nice photographs.

2. There are very few people on the streets in the downtown Austin area on a Saturday morning.

3. The 45mm lens (90 mm equivalent) had too much telephoto reach for me to deal with on this initial excursion.

4. While this walk took considerably longer than my normal Saturday morning walk, I would say that the perceived amount of exercise was much less. I did so much starting and stopping, hovering around looking for the best angle to photograph from, that I never felt like I got my heart rate and breathing up to an aerobic level.

5. That it takes 3 times as long to write about a photo walk than it takes to do a photo walk.

I can easily see myself returning multiple more times to downtown Austin to wander around with my camera. I’ll probably zig-zag around, making an effort to walk a different route each time. I highly doubt that I will write about any of those future walks to the level that I documented this one.

For anyone who actually read all of the words that I wrote, I thank you for doing so, and I ask that you write a quick comment letting me know what you think I could do better (including my photography).

I promise that I will never, ever make another post this long again.

Thank you for visiting my blog!

Plants and Patterns

This morning, I went out for my usual Saturday morning 3 mile walk through my neighborhood, but this time I brought my camera along.

This is only the 2nd time in the 11 years that we’ve lived in this house that I’ve brought my camera with me. I wrote about my first time, in my blog post that I published on June 4th.

On that walk, I took my brand new Olympus OM-D E-M5 camera with the Olympus 45mm f/1.8 lens. Today, I took the same camera, but I brought the Panasonic Leica 25mm ƒ/1.4 DG Summilux lens, with a B+W circular polarizer on the front of it.

Before I left the house, I performed a Custom White Balance to the camera, set the ISO to 200, and put the camera into Aperture Priority Mode. I did not change any of these three settings for the rest of my walk.

I’m going to try something new with this post. I’m going to keep the number of words to a bare minimum, and just present you with the pictures. I’m going to do it “Robin Wong style”, where I’ll add a two or three word “title” underneath each photo, that attempts to give a little insight into either what I saw, or what I was thinking.  If you like this format, (or if you don’t), please leave a comment (or send me an email using the “Contact Gregg” button under the banner at the top of this page) to let me know that.

Enough words. Here are my photos.

Honey Bee

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Clay Pot

Playground Tunnel

Circular Jungle Gym

Stairs and Handrail

Steel Mesh Stairs

Ford Mustang

Gate Hinge

Low Cactus

View @ Halfway

Prickless Prickly Pear Cactus

Cactus Flower Buds

A Red One

Big Grass

For Libby

Red and Orange Flowers

Pink Flowers

Miniature American Flag

Rusty Fire Hydrant

Ivy Ground Cover

Limestone Wall

My Front Door

Maybe someday soon I will get up the nerve to do some real Street Photography in downtown Austin. Plants and patterns are interesting to me, but I would like to include some architecture and some candid people photos, too.

Who knows, I might even get lucky and bump into Kirk Tuck…

A Gardening Shot with LED Lights

This week’s Project 52 assignment was to Welcome Spring with A Gardening Shot – with a focus on gardening. Supposedly the client is simply looking for something to catch the eye. They are a small hardware store and the image is for their “Get Ready for Spring” store promotion.

I wanted to bring a LOT of color to my gardening shot. I envisioned a “wall” of flowers behind some hand tools and some colorful seed packets.

So after work, I headed to my local nursery and cruised around looking for the most colorful (and somewhat color coordinated) flowers, hand tools and seed packets that I could find. My total cost was $56, which was well under the client’s budget of $1100.

I knew that I would have to shoot them that evening, as I had chosen the flowers for the way they looked right then, and didn’t want to risk any of them wilting over the next day or two. Although there was still more than 2 hours of daylight remaining, it was very windy, and I wanted the flowers to remain still while I photographed them.

So it was into the garage I went and simply arranged the items pretty much how I had envisioned them onto a folding table. Since I was going all-out for color, I brought out my blue backdrop cloth, instead of my boring gray one. For lighting, it occurred to me that this might be a perfect opportunity to try out the new Fotodiox Pro LED 312AS panels that Kirk Tuck had recommended.

These continuous lights (as opposed to “flash” lights) have a knob to adjust the color of the light being output from 5600K (color of daylight) down to 2300K (color of a tungsten lamp). I set the knob to the 5600K setting, and set the white balance in my camera to 5600K.

Notice the strong magenta color cast in the gray card (by definition, gray is without any color cast).  Something wasn’t right!

In his LED Lighting Book, Kirk had cautioned about the “green spike” in the color spectrum that these LED lights would produce, so I was very careful to perform a custom white balance in the camera. After making that adjustment in the camera, I took this photo, and you can see that the camera completely neutralized the magenta color cast!

Now I admit that I’m not sure why the color cast was magenta, and not green.  I know that the two colors are opposite each other on the color wheel. Kirk had to use “minus green” gels (which are magenta in color) over the face of his LED lights in order to neutralize the “green spike”. I can understand that concept, but I don’t understand why when the light was set to 5600K and the camera white balance was set to 5600K, the resulting initial image had a strong magenta color cast. (At any rate, I have ordered some 1/8, 1/4, 1/2 and Full MinusGreen gels made by Rosco to put over these lights in the future.)

OK, so I can’t explain the science, but I was glad to see that setting a custom white balance in the camera corrected it. Now on to my Project 52 assignment!

This first photo is very much how I had originally envisioned it.

It was certainly colorful, and would catch your eye at the hardware store, but I thought it was “too busy”.  To simplify it, I removed the gloves and the sprinkler head, and moved in a little closer.

That was better (to me), so I knew that my lighting was getting close to its final arrangement and power levels, so I took a photo with my ColorChecker Passport in it. Using this photo later in post processing, using software from X-Rite, I could create a custom “camera calibration” for my camera using these LED lights at this 5600K color setting.

The photo looked better but the angle didn’t seem right, so I got a little lower and took this one, which I liked the best (and it’s the same at the first photo in this post).

And finally, here is my set-up shot, which shows the 3 LED panels that I used.  Note that the top one didn’t have a fabric diffusion panel. It was there to light up the tops of the three colorful flowers in the back. It was positioned close to them, using a boom, and the power was turned way down in relationship to the other two lights.